HOME
SEARCH
GALLERY
SVENSKA
ARTIST
FAQ
CONTACT
EMAIL

Oil Paintings Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists.

Edouard Manet
French Realist/Impressionist Painter, 1832-1883 The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint. He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years. Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene. Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas. Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student. He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio. Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.

 

  Prev   2 3 4 5 6 7 8 9 10 11    Next
 

 

 

Edouard Manet Le Port de Calais (mk40) oil painting

Painting ID::  25504

X 
 

Edouard Manet
Le Port de Calais (mk40)
vers 1864 Huile sur toile 81.5 x 100.7 cm Collection particuliere,suisse
   
   
     

 

 

Edouard Manet Les marsouins,marins (mk40) oil painting

Painting ID::  25505

X 
 

Edouard Manet
Les marsouins,marins (mk40)
1864 Huile sur toile 81 x 100 cm Philadelphia Museum of Art:Bequest of Anne Thomson in memory of her father,frank thomson,and her mother mary Elizabeth Clarke Thomson
   
   
     

 

 

Edouard Manet Sur la plage de Boulogne (mk40) oil painting

Painting ID::  25506

X 
 

Edouard Manet
Sur la plage de Boulogne (mk40)
1868 Huile sur toile 32.4 x 66 cm Virginia Museum of Fine Arts,Richmond,Etats-Unis Collection of Mr.and Mrs.Paul Mellon
   
   
     

 

 

Edouard Manet Portrait de Berthe Morisot (mk40) oil painting

Painting ID::  25507

X 
 

Edouard Manet
Portrait de Berthe Morisot (mk40)
1869 Huile sur toile 40 x 34 cm Collection Particuliere
   
   
     

 

 

Edouard Manet Etude Pour 'Le balcon' (mk40) oil painting

Painting ID::  25508

X 
 

Edouard Manet
Etude Pour 'Le balcon' (mk40)
1868 Lavis sur trait d'encre de Chine 10.8 x 8.2 cm Mrs Alex Lewyt
   
   
     

 

 

Edouard Manet Tete de femme (mk40) oil painting

Painting ID::  25511

X 
 

Edouard Manet
Tete de femme (mk40)
1870 Huile sur toile 56.5 x 46.5 cm Fondation de famille Rudolf Staechelin Bale
   
   
     

 

 

Edouard Manet Photographie d'apres le tableau,Le repos (mk40) oil painting

Painting ID::  25513

X 
 

Edouard Manet
Photographie d'apres le tableau,Le repos (mk40)
1869-70 24.8 x 18.5 cm signe par Manet Collection particuliere
   
   
     

 

 

Edouard Manet Le bouquet de Violettes (mk40) oil painting

Painting ID::  25514

X 
 

Edouard Manet
Le bouquet de Violettes (mk40)
1872 Huile sur toile 22 x 27 cm Collection particuliere
   
   
     

 

 

Edouard Manet Portrait de Berthe Morisot (mk40) oil painting

Painting ID::  25516

X 
 

Edouard Manet
Portrait de Berthe Morisot (mk40)
1868-72 Huile sur toile 46.5 x 32.5 cm Hiroshima Museum of Art Japon
   
   
     

 

 

Edouard Manet Jeune femme voilee (mk40) oil painting

Painting ID::  25517

X 
 

Edouard Manet
Jeune femme voilee (mk40)
1872 Huile sur toile 61 x 47 cm Musee du Petit Palais Geneve
   
   
     

 

 

Edouard Manet Portrait de Berthe Morisot (mk40) oil painting

Painting ID::  25519

X 
 

Edouard Manet
Portrait de Berthe Morisot (mk40)
1874 Huile sur toile 61 x 50 cm Collection Particuliere,Suisse
   
   
     

 

 

Edouard Manet Le Velocipede (mk40) oil painting

Painting ID::  25521

X 
 

Edouard Manet
Le Velocipede (mk40)
1871 Huile sur toile 53 x 20 cm Collection particuliere
   
   
     

 

 

Edouard Manet Gare Saint-Lazare (mk40) oil painting

Painting ID::  25522

X 
 

Edouard Manet
Gare Saint-Lazare (mk40)
1873 Photographie rehaussee d'aquarelle 18.9 x 22.7 cm Collection Durand-Ruel
   
   
     

 

 

Edouard Manet Maree montante (mk40) oil painting

Painting ID::  25523

X 
 

Edouard Manet
Maree montante (mk40)
vers 1873 Huile sur toile 47 x 58 cm Collection particuliere,Suisse
   
   
     

 

 

Edouard Manet Le peniche (mk40) oil painting

Painting ID::  25525

X 
 

Edouard Manet
Le peniche (mk40)
vers 1874 Aquarelle 26 x 28 cm Collection particuliere,Courtesy Brame Lorenceau Paris
   
   
     

 

 

Edouard Manet Baigneuses en Seine (mk40) oil painting

Painting ID::  25527

X 
 

Edouard Manet
Baigneuses en Seine (mk40)
vers 1862-65 Huile sur toile 132 x 98 cm Museu de Arte de Sao Paulo Assis Chateaubriand,Sao Paulo Bresil
   
   
     

 

 

Edouard Manet L'amazone a cheval (mk40) oil painting

Painting ID::  25528

X 
 

Edouard Manet
L'amazone a cheval (mk40)
vers 1875 Huile sur toile 88 x 116 cm Museu de Arte de Sao Paulo Assis Chateaubriand,Sao Paulo Bresil
   
   
     

 

 

Edouard Manet Portrait de l'abbe Hurel (mk40) oil painting

Painting ID::  25530

X 
 

Edouard Manet
Portrait de l'abbe Hurel (mk40)
1875 Huile sur toile 42 x 30 cm Col Museo Nacional de Arte Decorativo Buenos Aires,Argentine
   
   
     

 

 

Edouard Manet Polichinelle (mk40) oil painting

Painting ID::  25531

X 
 

Edouard Manet
Polichinelle (mk40)
1873 Huile sur toile 50 x 32 cm Collection particuliere
   
   
     

 

 

Edouard Manet L'artiste Portrait de Marcellin Desboutin (mk40) oil painting

Painting ID::  25532

X 
 

Edouard Manet
L'artiste Portrait de Marcellin Desboutin (mk40)
1875 Huile sur toile 192 x 128 cm Museu de Arte de Sao Paulo Assis Chateaubriand Sao Paulo,Bresil
   
   
     

 

       Prev    2  3  4  5  6  7  8  9  10  11     Next

 

Edouard Manet
French Realist/Impressionist Painter, 1832-1883 The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint. He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years. Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene. Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas. Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student. He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio. Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.